Son Of God is an epic fail, rants Paloma Sharma.
Masaan is an immense achievement for a first-time filmmaker and must be applauded, says Raja Sen.
'On her birthday, I decided to meet her and dressed up for it.' 'Then I saw her walking towards me with a boy. I thought it could be her brother.' 'But when she came close, she asked, "Have you met my boyfriend?"' 'That day I realised the value of sad songs in India.' 'That was the first time I was heartbroken.'
Even though its not completely the foodie feast the title suggests, Daawat-E-Ishq is a breezy exercise, feels Sukanya Verma.
'Olympic wrestling is like an old Nokia phone.' 'WWE is like an iPhone.' The Great Khali's academy turns pro-wrestling dreams into reality
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.
The 86th Annual Academy Awards have been announced. Here's a quick glance at the winners.
As his latest, much-talked about venture, I, starring Vikram, is all set to hit the screens this Pongal, here is a look at the other heroes, who have been a part of this brilliant director's extraordinary journey of success.
'If ever there was a film that begged to be celebrated on the big-screen -- heck, that begged viewing with 3D glasses -- it is this one, a sensational ride that throws you, the viewer, into the deep-end and drags you along for a chained and scorched and unbelievable ride,' says Raja Sen.
For starters, Mad Max: Fury Road is gloriously nuts, says Raja Sen.
As he took oath of office on Sunday night, Nara Chandrababu Naidu has earned a unique distinction of becoming the first chief minister of a new state in addition to being the longest-serving CM of Andhra Pradesh.
Detective Byomkesh Bakshy! stumbles considerably because of its simplistic plotting, says Raja Sen.
Almost three hours go like a breeze in the company of Bahubali's eclectic protagonists, where every single one makes an 'entry' designed for wolf-whistle.
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
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Rituparno Ghosh's swansong Satyanweshi is a bit of a letdown, according to Indrani Roy.
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The film is is a slice of life love story which has been maturely handled by director Mohan Krishna.
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Anand Gandhi's directorial debut is a film we've all been waiting for.
'Aamir Khan is a chalta phirta school. Even if you spend one day with him, you will learn a lot. He never gets tired. He works from morning till night.' Meet Dangal's Fatima Sana Shaikh and Sanya Malhotra.
In the world of harebrained Bhai films, Kick is the best made and the most fun, says Raja Sen.
Pacific Rim is possibly the best and the grandest belated gift a man can offer his childhood, writes Sukanya Verma.
A quick look at the Oscar 2015 nominations.
Quentin Tarantino's latest film is his most unpleasant, feels Raja Sen.
Highway isn't merely concerned with cataloguing the virginal, versatile landscapes of Northern India. Often it's the only ray of cheer to offset the grimness concealed within two wounded souls, feels Sukanya Verma.
Did the human drama provoked by the Japanese invasion of Burma and the Indian exodus from Rangoon inspire director Vishal Bhardwaj's forthcoming epic?
Finding Fanny strikes gold, raves Raja Sen.
'It is rare that a Hindi language film delivers so much promise in the first half. And so it is extremely disappointing when the director and his script lead us on the journey that starts to meander and eventually fizzles out, collapses and dies in front of our eyes.'
Celebrating 50 years of a timeless Hollywood classic.
Celebrating Bollywood's most loved film of all time on its 40th anniversary.
And you won't guess which film tops Raja's list! And why.
'People ask me if I miss living a normal life, since I don't have privacy, and I tell them I don't want to have a normal life. I want people standing outside my house, I want to be loved by them. I have been fortunate enough to live like a star for 25 years and I would like to die as a star.' Shah Rukh Khan, unplugged.
As the legendary actor turns 60 today, we look at his finest performances in the last six decades.
Farhan Akhtar's Bhaag Milkha Bhaag does not offer anything new
'There are problems related to the Indian film industry that I'd like to address rather than to keep harping on the negative zone of hurdles in film certification,' Minister for Information and Broadcasting Rajyavardhan Rathore tells Subhash K Jha.
Aseem Chhabra spots 10 must-see movies at the Berlin Film Festival.
The 16th Mumbai Film Festival had a delicious spread of movies.
'I want my fans to remember me as the Sadhana of Love In Simla, Mere Mehboob, Woh Kaun Thi and Arzoo,' the Bollywood legend, who passed into the ages on Christmas Day, told Dinesh Raheja.
'The real problem that has affected Tarantino's films is not their amorality. On the contrary, it's their misplaced morality.' 'The basic pitches for his movies, off late, tackle such pre-resolved issues, that they don't quite allow his pop-culture sensibilities to hit a crescendo and instead reduces them to trinkets in service of broad movie prototypes.' 'Which means that neither history nor cinema triumphs.'
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
