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Anand Gandhi's directorial debut is a film we've all been waiting for.
Pacific Rim is possibly the best and the grandest belated gift a man can offer his childhood, writes Sukanya Verma.
Did the human drama provoked by the Japanese invasion of Burma and the Indian exodus from Rangoon inspire director Vishal Bhardwaj's forthcoming epic?
A quick look at the Oscar 2015 nominations.
Quentin Tarantino's latest film is his most unpleasant, feels Raja Sen.
Highway isn't merely concerned with cataloguing the virginal, versatile landscapes of Northern India. Often it's the only ray of cheer to offset the grimness concealed within two wounded souls, feels Sukanya Verma.
Finding Fanny strikes gold, raves Raja Sen.
'It is rare that a Hindi language film delivers so much promise in the first half. And so it is extremely disappointing when the director and his script lead us on the journey that starts to meander and eventually fizzles out, collapses and dies in front of our eyes.'
Celebrating 50 years of a timeless Hollywood classic.
Celebrating Bollywood's most loved film of all time on its 40th anniversary.
And you won't guess which film tops Raja's list! And why.
'People ask me if I miss living a normal life, since I don't have privacy, and I tell them I don't want to have a normal life. I want people standing outside my house, I want to be loved by them. I have been fortunate enough to live like a star for 25 years and I would like to die as a star.' Shah Rukh Khan, unplugged.
As the legendary actor turns 60 today, we look at his finest performances in the last six decades.
Aseem Chhabra spots 10 must-see movies at the Berlin Film Festival.
Farhan Akhtar's Bhaag Milkha Bhaag does not offer anything new
'There are problems related to the Indian film industry that I'd like to address rather than to keep harping on the negative zone of hurdles in film certification,' Minister for Information and Broadcasting Rajyavardhan Rathore tells Subhash K Jha.
The 16th Mumbai Film Festival had a delicious spread of movies.
'I want my fans to remember me as the Sadhana of Love In Simla, Mere Mehboob, Woh Kaun Thi and Arzoo,' the Bollywood legend, who passed into the ages on Christmas Day, told Dinesh Raheja.
'The real problem that has affected Tarantino's films is not their amorality. On the contrary, it's their misplaced morality.' 'The basic pitches for his movies, off late, tackle such pre-resolved issues, that they don't quite allow his pop-culture sensibilities to hit a crescendo and instead reduces them to trinkets in service of broad movie prototypes.' 'Which means that neither history nor cinema triumphs.'
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
Here's celebrating Dilip Kumar by re-visiting his best movies.
Aseem Chhabra's take on the highlights of Indian cinema this year.
Kanu Behl's Titli is one of the best films from India in recent years, says Aseem Chhabra from the Zurich film festival.
From Boyhood to The Grand Budapest Hotel, we've seen some brilliant cinema this year.
'I don't know about being superstar, but one day if I become like Shah Rukh Khan, I will not mind that. If I get the kind of films that I really want to do, and if I manage to survive in this industry, I will become somebody like that.' Sushant Singh Rajput talks movies.
Aseem Chhabra picks his favourite movies from the Telluride Film Festival.
'Smita Patil was the reason I got into films. She kept telling me to get into films but I said I was happy doing theatre, I don't like films. Today, when I look back, I don't think I disliked films. Maybe I thought who would take me in films? I think it was a complex.' Nana Patekar looks back at his life.
